David Espinosa’s work is questioning the idea of performing through a research about theatrical limits, and manipulating the elements of the “stage equation”. Keeping a critical spirit, full of irony, about society and the art world, he tries in every creation to develop a formal game that surprises the audience and make him participant in the viewing of the piece, exposing crudely mechanisms and approaches of the work, away from tags, always in the middle of visual art, dance and theatre. His personal work began transiting the borders of the body and the word, introducing technology as a scenic tool, to later replace the actor, the physical presence, by the use of the object. In recent shows where he has replaced the real body with the object, there is a great interest in the idea of play as an activity to connect humans to what is transcendental in a simple way.